Lion Lava (Framed)
This is the second piece in a triptych of animal mouth subjects. I found the anatomy of open animal mouths fascinating and wanted to transform them by isolating them and placing them in a strange textural context. In this case, we have a lion's mouth surrounded by pouring lava, which becomes a cave-like aperture when isolated from the animal's face—transforming this anatomical study into an abstract textural piece.
Charcoal on acid-free 400 series Strathmore bristol paper, 2016. Sprayed with a fixative to prevent smudging. Hand-signed by the artist and framed. As with any indoor artwork, avoid exposure to direct sunlight. Reproductions may not be made without permission.
11” x 14” drawing matted in a 16” x 20” black frame with museum glass. Framed piece comes protected by bubble wrap in standard shipping box. Please allow 14 business days to receive.
This is the second piece in a triptych of animal mouth subjects. I found the anatomy of open animal mouths fascinating and wanted to transform them by isolating them and placing them in a strange textural context. In this case, we have a lion's mouth surrounded by pouring lava, which becomes a cave-like aperture when isolated from the animal's face—transforming this anatomical study into an abstract textural piece.
Charcoal on acid-free 400 series Strathmore bristol paper, 2016. Sprayed with a fixative to prevent smudging. Hand-signed by the artist and framed. As with any indoor artwork, avoid exposure to direct sunlight. Reproductions may not be made without permission.
11” x 14” drawing matted in a 16” x 20” black frame with museum glass. Framed piece comes protected by bubble wrap in standard shipping box. Please allow 14 business days to receive.
This is the second piece in a triptych of animal mouth subjects. I found the anatomy of open animal mouths fascinating and wanted to transform them by isolating them and placing them in a strange textural context. In this case, we have a lion's mouth surrounded by pouring lava, which becomes a cave-like aperture when isolated from the animal's face—transforming this anatomical study into an abstract textural piece.
Charcoal on acid-free 400 series Strathmore bristol paper, 2016. Sprayed with a fixative to prevent smudging. Hand-signed by the artist and framed. As with any indoor artwork, avoid exposure to direct sunlight. Reproductions may not be made without permission.
11” x 14” drawing matted in a 16” x 20” black frame with museum glass. Framed piece comes protected by bubble wrap in standard shipping box. Please allow 14 business days to receive.
